City Bank Coliseum Schedule

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It has a 60-by-40-foot portable stage and two video screens as well as three dressing rooms.Adjacent to the coliseum is the 2,821-seat City Bank Auditorium, used for stage shows, concerts and other special events and featuring a 96-by-45-foot permanent stage and eight dressing rooms.

The arena serves as the venue for the annual ABC Rodeo.The naming rights are owned by Lubbock financial institution City Bank.The arena had been home to the Lubbock Cotton Kings of the Central Hockey League, however after being unable to come to an agreement with the city of Lubbock for the use of the arena, the team ceased operations prior to the 2007-2008 season. Lubbock Cotton Kings Suspend OperationsDuring the 1971-1972 American Basketball Association season, the Lubbock Municipal Coliseum served as a sometimes home court for the then-named Texas Chaparrals, a one-year experiment by the Dallas Chaparrals to expand their appeal to a state-wide audience.

The Chaparrals eventually became the San Antonio Spurs of the American Basketball Association and later of the NBA.Many events formerly held at the Coliseum, such as Texas Tech basketball, have since moved to the newer United Spirit Arena on the other side of the Texas Tech University Campus.City Bank Coliseum shares a parking lot with Texas Tech's Jones AT&T Stadium, where the Texas Tech Red Raiders play football.During the 1980s, the Lubbock Municipal Coliseum was a popular stop for touring rock bands.

Sammy Hagar began his VOA tour with a Coliseum show in 1984.

KISS kicked off the 1990 Hot in the Shade tour in the Coliseum.

The City Bank Coliseum (formerly the Lubbock Municipal Coliseum) is a 7,050-seat multi-purpose arena in Lubbock, Texas.

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Harrington's manic yet oddly plaintive wails are as rousing as ever, and the group's fuzzy punk chops are knife-sharp. Eva" (1998), "5 Women 5" (2000) and "The Spindle of Memory" (2006) -- she has added new choreography.Settled after the rehearsal at her dressing table, which was bare but for her makeup case, a Hershey bar and a bouquet of red roses, she took a few sips of water, her face betraying no trace of weariness, and said: "This show has been very popular, I think, because it's very direct."No matter what I choreograph," she went on, "I think in terms of having a conversation with my audience. A key message from those discussions, he said, was that the building and grounds should harmonize with their surroundings.Paula Starr, executive director of the Southern California Indian Center, gave the Autry high marks for including Indians during the planning."We're always an afterthought in every other arena, and it's refreshing to have people who think of us first," Starr said.Historians have debated the Spanish missions' treatment of native peoples and whether mission life brought improvements or hastened their decline.But Paul Apodaca, a Chapman University sociology professor and former Bowers Museum curator of American Indian art who is of Navajo and Mexican descent, doubts that the Autry's architecture has bothered Native Americans."They don't have a negative gut reaction at the sight of missions," he said. His ruminative mood may change as he travels through California this month, but he's sure to only refine what he's learning -- and sharing -- about his place in the world.When Vedder considers his legacy, he'd surely be happy to include Liam Finn among his proteges. "The Diving Bell" missed out on a best picture nomination, making Schnabel that much more of a long shot.If it's any comfort to the losers, the roster of Oscar-winning directors, even more than the acting categories, is a notoriously incomplete one.

There. Then, he says, the world witnessed the American ascent in the late 19th century, with the U.S. In Touch magazine has tapped Good Charlotte and the Veronicas for their invite-only bash at the Chauteau Marmont on Saturday; that same night, video game maker Harmonix has corralled Panic at the Disco to play a benefit for the AIDS/HIV-prevention charity Lifebeat at the House of Blues.