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But set in a glamorous world saturated with money and celebrity, the book not only describes Cheney's individual struggle against this disease -- which afflicts 5.7 million adult Americans of every age, gender and social class -- it also provides an apt metaphor for the bizarre psychological terrain of Hollywood."Hollywood is an industry of extremes," said Cheney, whose clients included Michael Jackson and Quincy Jones "It is feast or famine, euphoria or despair. On deadline, she prances around her posh, antiques-laden Chicago apartment, munching on chocolates and showing off one of her many fur coats as she deliberates over problems -- other people's and her own.It's an amiable cartoon that never risks becoming real, even when the phone rings and Landers' identical twin and journalistic rival, "Popo," otherwise known as "Dear Abby," gets the short end of her sister's not-unlimited patience.Granted, Landers is especially on edge tonight: Her husband has been having an affair with a much younger woman and she feels she must tell her readers that her marriage is over. "It's very beautiful, but it's a little frightening."Shana Lutker, who appeared in the 2006 biennial, also will reveal a different side of her practice. But that is what percussionist Ken McGrath, who commissioned the score, wanted. But the wildfire response to his "Noel" holiday album, spurred by multiple appearances on Oprah Winfrey's talk show, turned it into the year's biggest hit and generated $62.9 million in album sales.

The vividly drawn characters in this ensemble piece, employees at the ironically named Dreamland club, are a diverse mix: young and old, romantic and jaded, motivated by seemingly selfish and selfless reasons."Street of Shame" was made as an anti-prostitution bill was gaining traction, and Mizoguchi used the debate as a topical backdrop (radio broadcasts can be heard throughout). One was England's famous Virgin Queen, who vigorously guarded her country's independence during the age of Shakespeare and the Spanish Armada; the other America's rumbly voiced bard. Hotel handyman under the thumb of a germaphobe owner (Richard Griffiths) and a weasel of a manager (Guy Pearce) who is dating the boss' Paris Hilton-esque daughter (Teresa Palmer) while stepping out with a fellow hotel employee (Lucy Lawless, unrecognizable from her "Xena" days).Skeeter and his sister (Courteney Cox) grew up in a motel bungalow court, before their father (Jonathan Pryce, the narrator), who owned the place, sold out to the Griffiths character.