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Usually I compose my tunes and then fit words to them, though sometimes it's the other way about.In later years he would emphasize his conviction, saying that "it's the lyric that makes a song a hit, although the tune, of course, is what makes it last."According to music historian Alec Wilder, it was well known that Berlin, unable to write his own music, paid a professional musician to harmonize and write his music, but always did so under his close supervision.

That musical revue became Berlin's first complete score and Furia notes that "its songs radiated musical and lyrical sophistication." Berlin's ragtime songs, he adds, had "quickly come to signify modernism, and Berlin caught the cultural struggle between Victorian gentility and the purveyors of liberation, indulgence, and leisure with songs such as "Play a Simple Melody." That particular song, according to Furia, also became the first of his famous "double" songs in which two different melodies and lyrics are counterpointed against one another.Variety called it "The First Syncopated Musical," where the "sets and the girls were gorgeous." But most of the success or otherwise of the show was riding on the Berlin name, according to Whitcomb.

They usually had light romantic plots and a seemingly endless string of his new and old songs.

20, 2010 with ESPN TV noting, "Americans were overcome by patriotism." "College kids perform Olympic miracle" ESPN TV networkOther songsThough most of his works for the Broadway stage took the form of revues — collections of songs with no unifying plot — he did write a number of book shows.

Press, 1997 When the bar closed for the night, young Berlin would sit at a piano in the back and pick out tunes. His first attempt at songwriting was "Marie From Sunny Italy," written in collaboration with the Pelham's resident pianist, Mike Nicholson, and at the same time he began using the name Irving Berlin, being easier for others to remember. (Berlin never learned to play in more than one key and used a custom-made piano with a transposing lever to change keys.)[1][2], Piano 300, Celebrating 3 Centuries of People and Pianos, a public exhibition, Press Release March 1, 2000].Berlin admired the words to the songs but the rhythms were "kind of boggy".

But apart from his genuine talent for song-writing, Irving Berlin has had a greater influence upon American music than any other one man.