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Nellum's winning time in the 200 is the fastest wind-legal time in the state.Other double winners were Claremont senior Ashika Charan in the long jump (19-7) and triple jump (wind-aided 41-8), and Woodland Hills Louisville senior Elizabeth Olear in the 100 (11.45) and 200 (23.41). On April 4, 1968 -- struck a blow to the progressive movement whose reverberations are still felt today, Hayden said in the restaurant of the Beverly Wilshire Hotel, just down the block from the screening, which he attended at The Times' invitation.Relaxed and looking fit in a white long-sleeved shirt untucked over black jeans, Hayden at 66 has a head of thick silver hair and a goatee. "I don't do nothing to nobody," he said in his broken English. If there's anyone capable of luring ambivalent bystanders into a hard-hitting feminist critique, it's she. Who talks about film as something greater than a vehicle for celebrity and consumerism? Very few, I think."The biggest knock I hear about critics is that they are out touch with average moviegoers, a charge often leveled when films battered by bad reviews go on to make loads of dough.
Her other books include "A World of Dolls' Houses" (1965), a history for children; "A Book of Dolls and Doll Houses" (1967); "Dolls' Houses in America" (1974); "Victorian Dolls' Houses and Their Furnishings" (1978); and the children's' book "The Haunted Birdhouse" (1970).Survivors include her husband of 65 years, Ephraim Jacobs, of Chevy Chase, Md.; and a daughter, Amanda Jacobs of Centreville, Md.. You certainly didn't mix the two in one work.But that's exactly what Falkenstein did, making flat sculptures and covering painted canvases with three-dimensional armatures of welded metal.The exhibition includes eight examples of her two-dimensional wall-works, all titled "Never Ending Screen" and all made between 1963 and 1970. They do so as little as they possibly can and often against objections from players who fear repetitive stress injuries could result from fingering the same fast rhythmic figures over and over.Now, as "In C" helps launch the Philharmonic's two-week festival -- which is being curated by second-generation sometime Minimalist John Adams -- the whole phenomenon should seem awfully old hat.
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