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• Van Morrison tickets in Fort Worth, TX at Bass Performance Hall on Sunday January 24, 2010.

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His 1983 album, Inarticulate Speech of the Heart was "a move towards creating music for meditation" with synthesisers, uilleann pipes and flute sounds and four of the tracks were instrumentals.Turner (1993), page 153. The titling of the album and the presence of the instrumentals were noted to be indicative of Morrison's long-held belief that "it's not the words one uses but the force of conviction behind those words that matters." During this period of time, Morrison had studied Scientology and gave "Special Thanks" to L.Ron Hubbard on the album's credits.Turner (1993), page 150A Sense of Wonder, Morrison's 1985 album, pulled together the spiritual themes contained in his last four albums, which were defined in a Rolling Stone review as: "rebirth (Into the Music), deep contemplation and meditation, (Common One); ecstasy and humility (Beautiful Vision); and blissful, mantra like languor (Inarticulate Speech of the Heart)." The single, "Tore Down a la Rimbaud" was a reference to Rimbaud and an earlier bout of writer's block that Morrison had encountered in 1974.Heylin (2003), page 308. In 1985, Morrison also wrote the musical score for the movie, Lamb starring Liam Neeson.Collis (1996), page 162.Morrison's 1986 release, No Guru, No Method, No Teacher, was said to contain a "genuine holiness.and musical freshness that needs to be set in context to understand."Hinton (1997), page 255. Critical response was favourable with a Sounds reviewer calling the album "his most intriguingly involved since Astral Weeks" and "Morrison at his most mystical, magical best."Heylin (2003), page 396.Rogan (2006), page 360. It contains the song, "In the Garden" that, according to Morrison, had a "definite meditation process which is a 'form' of transcendental meditation as its basis.

Them performed without a routine and Morrison ad libbed, creating his songs live as he performed.Hinton (1997), page 40. While the band did covers, they also played some of Morrison's early songs, such as "Could You Would You", which he had written in Camden Town while touring with The Manhattan Showband.Rogan (2006), page 76 The debut of Morrison's "Gloria" took place on stage here.

The album contained the popular song "Warm Love" but otherwise has been largely dismissed critically.Heylin (2003), pages 265-267. In a 1973 Rolling Stone review, it was described as: "psychologically complex, musically somewhat uneven and lyrically excellent."During a three-week vacation visit to Ireland in October 1973, Morrison wrote seven of the songs that would make up his next album, Veedon Fleece.Turner (1993), page 122. Though it attracted scant initial attention, its critical stature grew markedly over the years—with Veedon Fleece now often considered to be one of Morrison's most impressive and poetic works.Rogan (2006), page 301. In a 2008 Rolling Stone review, Andy Greene writes that when released in late 1974: "it was greeted by a collective shrug by the rock critical establishment" and concludes: "He's released many wonderful albums since, but he's never again hit the majestic heights of this one." "You Don't Pull No Punches, But You Don't Push the River", one of the album's side closers, exemplifies the long, hypnotic, cryptic Morrison with its references to visionary poet William Blake and to the seemingly Grail-like Veedon Fleece object.Rogan (2006), page 300.Morrison would not release a follow-up album for another three years.

79-83The band's strong R&B performances at the Maritime attracted attention.

about ringworms" and didn't use them.Rogan (2006), pages 212-222.Turner (1993), page 80"Astral Weeks is about the power of the human voice — ecstatic agony, agonising ecstacy.

As well as blues and R&B, his compositions and covers have moved between pop music, jazz, rock, folk, country, gospel, Irish folk and traditional, big band, skiffle, rock and roll, new age, classic and sometimes spoken word ("Coney Island") and instrumentals.Hinton (1997), page 15. Morrison defines himself as a soul singer.Some of Morrison's music has been classified in a genre of its own and referred to as "Celtic soul" or what biographer Brian Hinton referred to as a new alchemy called "Caledonian soul."Hinton (1997), page 13. Another biographer, Ritchie Yorke quoted Morrison as believing that he has "the spirit of Caledonia in his soul and his music reflects it."Yorke (1975), page 159. According to Yorke, Morrison claimed to have discovered "a certain quality of soul" when he first visited Scotland (his Belfast ancestors were of Ulster Scots descent) and Morrison has said he believes there is some connection between soul music and Caledonia.