Tom Morello Wonder Ballroom Schedule

Upcomming Tom Morello Wonder Ballroom Events:

• Tom Morello tickets in Portland, OR at Wonder Ballroom on Saturday May 23, 2009.

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Did You Know?

Plain body with 'Whatever It Takes ((star))' left of the bridge.Morello's amplifier and effects setup has been practically the same throughout his career in Rage Against the Machine and Audioslave.Pedalboard:Digitech Whammy WH-1Dunlop Crybaby WahBoss DD-2 Digital DelayBoss TR-2 TremoloDOD FX40b EqualizerIbanez DFL FlangerMXR Phase 90 (Replaced the Ibanez Flanger for Audioslave)Amplification:Marshall JCM800 2205 (50-watt)Peavey 4x12 CabinetLock Up Something Bitchin' This Way Comes (1989)Rage Against the Machine Rage Against the Machine (1992) US 3x Platinum Evil Empire (1996) US 3x Platinum Live & Rare (1998) The Battle of Los Angeles, (1999) US 2x Platinum Renegades (2000) US Platinum Live at the Grand Olympic Auditorium (2003)Audioslave Audioslave (2002) US 3x Platinum Out of Exile (2005) US Platinum Revelations (2006) US GoldThe Nightwatchman One Man Revolution (2007) The Fabled City (2008)Street Sweeper Social Club Street Sweeper Social Club (2009) Saturday Night Live (Episode #21.17, 1996) .

Though the Marshall is his amp of choice with Rage Against the Machine, he used a Vox AC30 combo amplifier for multiple overdubs on Audioslave's 'Revelations' album.

Sean Penn, Jello Biafra and Cindy Sheehan were also part of the rally.Sean Penn, Val Kilmer, Tom Morello and Cindy Sheehan at Nader/Gonzalez Super Rally in Denver, VoteNader.org, August 19, 2008[1]In October 2009, Morello, among a number of musicians, sued the US government for the declassification of all documents relating to the use of music in interrogations at Guantanamo Bay.

George Creamy" - Bought by Morello at a Canadian pawnshop for $60.

The thirteen-city tour was supported by unions, environmental and media reform groups including Common Cause, Free Press and A.F.L.-C.I.O.with the ultimate goal of "informing music fans, and exposing and challenging the failures of the major media outlets in the United States."Portner, Matt and Heller, Sarah.

For the title track's solo he split his signal to his standard Marshall 2205 head and Peavey cabinet and a 100 watt Fender Bassman head and an Orange cabinet.