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She was famous for being irascible, garrulous, eccentric and outspoken, but the marriage, to all appearances, was essentially happy and she was a great source of inspiration to him.

However, some of the negative reactions stemmed from Strauss's unprecedented use of dissonance for dramatic purposes.

Only Strauss's personal intervention at this point was able to save them, and he was able to take the two of them back to Garmisch where they remained under house arrest until the end of the war.MetamorphosenStrauss completed the composition of Metamorphosen, a work for 23 solo strings, in 1945.

Strauss admitted that the Duet-Concertino had an extra-musical "plot", in which the clarinet represented a princess and the bassoon a bear; when the two dance together, the bear transforms into a prince.In 1948, Strauss wrote his last work, Four Last Songs for soprano and orchestra.

The most famous include two horn concerti, which are still part of the standard repertoire of most horn soloists; a concerto for violin; Burleske for piano and orchestra; the tone poem Don Quixote, for cello, viola and orchestra; a late oboe concerto (inspired by a request from an American soldier and oboist, John de Lancie, whom he met after the war); and the Duet-Concertino for bassoon, clarinet and orchestra, which was one of his last works (1947).

40 (1899) Symphonia Domestica (Domestic Symphony), Op.