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Did You Know?

With this opera Monteverdi had created an entirely new style of music, the dramma per musica, literally "play written to be set to music".

He sings a poignant piece, beginning as a recitative but which develops quickly into an aria (Tu se' morta) on the transient fragility of human happiness.Three times through this consistently doleful section the chorus sings Ahi caso acerbo, ahi fat'empio ecrudele (ah, bitter blow! ah wicked cruel fate!) (words first sung by the messenger, and later taken up by the shepherds).

Plutone acquiesces on one condition: that Orfeo not look back as Euridice follows him back up into the light, and back into life.

These are only explicitly called for at one point in the beginning of act 2; immediately following their appearance, two "Violini Ordinarij da braccio" are called for, to distinguish from the violini piccoli.

This idea of theatrical works set to music was taken from the notion that the Ancient Greeks had sung their plays.Monteverdi's operas are usually labelled "early Baroque," or sometimes "pre-Baroque." Music in northern Italy at this time was in transition between the style of the late Renaissance and the early Baroque, and progressive composers such as Monteverdi combined the stylistic trends prevalent in the various musical centers such as Florence, Venice and Ferrara.The opera is naturally filled with what was then called monody, a musical texture where a single voice would sing over a clearly subservient instrumental accompaniment.

If this interpretation were correct then Monteverdi’s flautino would be a descant in c".

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