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Did You Know?

One such tradition was straight narrative cinema, specifically classical French film.

The cost of film was also a major concern; thus, efforts to save film turned into stylistic innovations: for example, in Jean-Luc Godard's Breathless (à€ bout de souffle).

Similar movements arose in a number of European countries, and a large nuberu bagu arose in Japan during the early 1960s, which was somewhat different in its origins, but similar in techniques and trajectory.Desser, David, Eros Plus Massacre: An Introduction To Japanese New Wave Cinema, Indiana Univ.

After being told the film was too long and he must cut it down to one hour and a half he decided (on the suggestion of Jean-Pierre Melville) to remove several scenes from the feature using jump cuts.

His stylistic approach can be seen as a desperate struggle against the mainstream cinema of the time, or a degrading attack on the viewer's naivete.

O.Scott, "Living for Cinema, and Through It," New York Times, June 25, 2009, [1] Access date: June 30, 2009.The movies featured unprecedented methods of expression, such as seven-minute tracking shots (like the famous traffic jam sequence in Godard's 1967 film Week End).

Flash News :

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