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Did You Know?

In the context of social and economic troubles of a post-World War II France, filmmakers sought low-budget alternatives to the usual production methods.

Press, 1988Oshima, Nagisa & Annette Michelson, Cinema, Censorship And The State: The Writings Of Nagisa Oshima, M.I.T.Press, 1993Many contemporary filmmakers, including Quentin Tarantino and Wong Kar Wai claim influence from the New Wave.

Accessed 30 Apr 2009. Henri Colpi Jacques Demy Chris Marker Alain Resnais Agnà¨s Varda Alexandre Astruc Jacques Doniol-Valcroze Marguerite Duras Jean Eustache Georges Franju Philippe Garrel Pierre Kast Claude Lelouch Louis Malle Jean-Pierre Melville Luc Moullet Alain Robbe-Grillet Jean Rouch Jacques Rozier Straub-Huillet Roger Vadim Raoul Coutard - cinematographer Henri Decaà« - cinematographer Georges Delerue - composer Paul Gégauff - screenwriter Michel Legrand - composer Suzanne Schiffman - screenwriter Stéphane Audran Isabelle Adjani Anouk Aimee Fanny Ardent Charles Aznavour Brigitte Bardot Jean Paul Belmondo Gerard Blain Jean-Claude Brialy Jacques Charrier Alain Delon Catherine Deneuve Francoise Dorleac Claude Jade Anna Karina Bernadette Lafont Jean-Pierre Léaud Jeanne Moreau Maurice Ronet Jean Seberg Delphine Seyrig Jean-Louis Trintignant Alexandre Astruc André Bazin Robert Bresson Henri LangloisJonathan RosenbaumAndrew Sarris Japanese New Wave (Nuberu bagu) Australian New Wave British New Wave Cinema Novo (Brazilian New Wave) Novo Cinema (Portuguese New Wave) Czechoslovak New Wave Film noir Hong Kong New Wave New French Extremity New Hollywood (American New Wave) True Cinema movement No Wave Cinema Parallel Cinema (Indian New Wave) Romanian New Wave Remodernist Film Serbian Black Wave Taiwan New Wave Dogme 95.

Beginning with the heavily evident stylistic similarities in Arthur Penn's Bonnie and Clyde (1967), the following generation of American young, studio-hired filmmakers referred to as New Hollywood, such as Altman, Coppola, De Palma and Scorsese of the late 1960s and early 1970s all claim and display influence from the French tradition of the previous decade.Bob Rafelson, a member of the New Hollywood movement (Five Easy Pieces), claimed that the Marx Brothers and the French New Wave influenced his vision for the television series The Monkees, which he created and oversaw.

Accessed 30 Apr 2009. Henri Colpi Jacques Demy Chris Marker Alain Resnais Agnà¨s Varda Alexandre Astruc Jacques Doniol-Valcroze Marguerite Duras Jean Eustache Georges Franju Philippe Garrel Pierre Kast Claude Lelouch Louis Malle Jean-Pierre Melville Luc Moullet Alain Robbe-Grillet Jean Rouch Jacques Rozier Straub-Huillet Roger Vadim Raoul Coutard - cinematographer Henri Decaà« - cinematographer Georges Delerue - composer Paul Gégauff - screenwriter Michel Legrand - composer Suzanne Schiffman - screenwriter Stéphane Audran Isabelle Adjani Anouk Aimee Fanny Ardent Charles Aznavour Brigitte Bardot Jean Paul Belmondo Gerard Blain Jean-Claude Brialy Jacques Charrier Alain Delon Catherine Deneuve Francoise Dorleac Claude Jade Anna Karina Bernadette Lafont Jean-Pierre Léaud Jeanne Moreau Maurice Ronet Jean Seberg Delphine Seyrig Jean-Louis Trintignant Alexandre Astruc André Bazin Robert Bresson Henri LangloisJonathan RosenbaumAndrew Sarris Japanese New Wave (Nuberu bagu) Australian New Wave British New Wave Cinema Novo (Brazilian New Wave) Novo Cinema (Portuguese New Wave) Czechoslovak New Wave Film noir Hong Kong New Wave New French Extremity New Hollywood (American New Wave) True Cinema movement No Wave Cinema Parallel Cinema (Indian New Wave) Romanian New Wave Remodernist Film Serbian Black Wave Taiwan New Wave Dogme 95.

Truffaut, with The 400 Blows (1959) and Godard, with Breathless (1960) had unexpected international successes, both critical and financial, that turned the world's attention to the activities of the New Wave and enabled the movement to flourish.