Marin Symphony San Rafael Schedule

Upcomming Marin Symphony San Rafael Events:

• Marin Symphony: Ingenious Interplay tickets in San Rafael, CA at Marin Veterans Memorial Auditorium on Tuesday March 6, 2012.
• Marin Symphony: Ingenious Interplay tickets in San Rafael, CA at Marin Veterans Memorial Auditorium on Sunday March 4, 2012.
• Marin Symphony: Youthful Brilliance tickets in San Rafael, CA at Marin Veterans Memorial Auditorium on Tuesday January 31, 2012.
• Marin Symphony: Youthful Brilliance tickets in San Rafael, CA at Marin Veterans Memorial Auditorium on Sunday January 29, 2012.
• Marin Symphony: Visionary Mahler tickets in San Rafael, CA at Marin Veterans Memorial Auditorium on Tuesday November 8, 2011.

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Did You Know?

Strauss even went so far as to remark that he composed An Alpine Symphony “just as a cow gives milk.” Mandel, “Richard Strauss.” Orchestration for the work began on November 1, 1914 and was completed by the composer only three months later. Del Mar, Richard Strauss, 106. In reference to this, his final purely symphonic work, Strauss famously commented at the dress rehearsal forAn Alpine Symphony’s premiere that at last he had learned to orchestrate. Ibid. The entire work was finished on February 8, 1915. Schmid, The Richard Strauss Companion, 112. The score was dedicated “in profound gratitude” to Count Nicolaus Seebach, director of the Royal Opera in Dresden, where four of the Strauss’s six operas had been premiered (at this point in his life Strauss had only composed six, though many more would follow). Del Mar, Richard Strauss, 121.Premiere and receptionAn Alpine Symphony was premiered on October 25th, 1915, with Strauss conducting the orchestra of the Dresden Hofkapelle in Berlin. Ibid. The performance had mixed reactions.

By the time the piece reaches the “Calm Before the Storm” an ominous drum roll, failed attempts to recreate the stammering oboe motive heard previously at the peak, isolated raindrops (short notes in the upper woodwinds and pizzicato in the violins), flashes of lightning (in the piccolo), the use of a wind machine, and suggestions of darkness (through the use of a descending scale motive reminiscent of the opening “Night” theme) lead the piece into the full fury of the storm.“Thunder and Tempest, Descent” marks the start of the last phase of the journey described in An Alpine Symphony.

Ithaca, New York: Cornell University Press, 1969. Gilliam, Bryan.

As the climbers move along the going gets a bit rougher, however, and in “Dangerous Moments” the idea of insecurity and peril is cleverly suggested by the fragmentary nature of the texture and the use of the pointed second climbing theme.Suddenly we are “On the Summit” as four trombones present a theme known as “the peak motive,” the shape of which (with its powerful upward leaps of fourths and fifths) is reminiscent of Strauss’s famous opening to Also Sprach Zarathustra. Ibid. This passage is the centerpiece of the score, and after a solo oboe stammers out a hesitant melody the section gradually builds up using a succession of themes heard previously in the piece, finally culminating in what Del Mar calls the “long-awaited emotional climax of the symphony”: a recapitulation of the sun theme, now gloriously proclaimed in C Major. Del Mar, Richard Strauss, 116.With a sudden switch of tonality to F# Major, however, the piece is propelled into the next section, entitled “Vision.” This is a somewhat developmental passage which gradually incorporates several of the main musical subjects of the symphony together and which is composed of unstable, shifting harmonies.

This passage is a rare instance of Strauss’s use of polytonality, as the shifting harmony in the middle part of the mountain theme (which includes a D minor triad) clashes intensely with the sustained notes of the B-flat minor scale. Ibid. As night gives way to daylight in “Sunrise,” the theme of the sun is heard—a glorious descending A Major scale which is thematically related to the opening scale depicting nighttime. Mandel, "Richard Strauss."In terms of form, the section labeled “The Ascent” can be seen as the end of An Alpine Symphony’s slow introduction and beginning of the work’s allegro proper. Del Mar, Richard Strauss, 108. Harmonically, this passage moves away from the dark B-flat minor of the opening and firmly establishes the key of E-flat major.

CompositionStrauss’s An Alpine Symphony was completed in 1915, eleven years after the completion of its immediate predecessor in the genre of the tone poem, Sinfonia Domestica. Charles Youmans, “The Role of Nietzsche in Richard Strauss’ Artistic Development,” The Journal of Musicology 21, No.

Flash News :

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