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Did You Know?

While vallenato was a musical style that had slowly lost popularity with Colombia's younger generation, Escalona would inspire Carlos to fuse the vallenato with modern rock, a sound that would break Carlos not only in his own Colombian homeland, but the entire Latin American music market.With Carlos's backing band, La Provincia, Carlos took a cue from his successful interpretations of Rafael Escalona, and decided to delve deeper into the famous artists of Colombia's vallenato past.

It took a few years for Vives to find inspiration out of the limelight in Bogotá and back to his roots in Santa Marta.In 1991, when Carlos was approached to play the part of Rafael Escalona in the biographical film Escalona (1991), it would not only be a star-turning role for the rising actor, but the beginning of Carlos's musical breakthrough.

As the title implies, the album consists of Colombia's vallenato standards, not only popular during its time, but in a new rock style, nearly turning the songs into new compositions.

Molina) - 4:12 "Contestación A La Brasilera (fragmento)" (A.

For example, the album opener "La Gota Fria (The Cold Drop)", when compared to the original by Emiliano Zuleta, sounds like two distinct songs, if one were to ignore song lyrics.The album covers well-known songs from artists as Juan Pablo Valencia ("Alicia Adorada" - Adored Alicia) and Leandro Dà­az ("Matilda Lina").

He began his career as a soap opera star in such telenovelas as "La Conciencia de Lucà­a (The Conscience of Lucà­a - 1989)" and "L.P.Loca Pasión (Crazy Love - 1989)," and then tried his hand in a dual career as both television star and romantic balladeer.