Jazz in the City Seattle Schedule

Upcomming Jazz in the City Seattle Events:

• Jazz in the City tickets in Seattle, WA at Benaroya Hall on Friday February 12, 2010.

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Did You Know?

Riffs were often created - or even improvised - collectively, and took many forms: a) one section riffing alone, serving as the main focus of the music; b) one section riffing behind a soloist, adding excitement to the song; or c) two or more sections riffing in counterpoint, creating an exciting hard-swinging sound.

The KC big bands often played by memory, composing and arranging the music collectively, rather than sight-reading as other big bands of the time did.

Most of the jazz musicians associated with the style were born in other places but got caught up in the friendly musical competitions among performers that could keep a single song being performed in various variations for an entire night.Often members of the big bands would perform at regular venues earlier in the evening and go to the jazz clubs later to jam for the rest of the night.Claude Williams described the scene:Kansas City was different from all other places because we'd be jamming all night.

The era marked the zenith of power of political boss Tom Pendergast.

playing the wrong thing, we'd straighten you out. Kansas City a Wide Open Town (part of Ken Burns "Jazz" website)Clubs were scattered throughout city but the most fertile area was the inner city neighborhood of 18th Street and Vine.Among the clubs were the Amos 'n' Andy, Boulevard Lounge, Cherry Blossom, Chesterfield Club, Chocolate Bar, Dante's Inferno, Elk's Rest, Hawaiian Gardens, Hell's Kitchen, the Hi Hat, the Hey Hey, Lone Star, Old Kentucky Bar-B-Que, Paseo Ballroom, Pla-Mor Ballroom, Reno Club, Spinning Wheel, Street's Blue Room, Subway and Sunsetx.Kansas City jazz is distinguished by the following musical elements: A preference for a 4/4 beat over the 2/4 beat found in other jazz styles of the time.

The hard-swinging, bluesy transition style is bracketed by Count Basie who in 1929 signed with the Bennie Moten's Kansas City Orchestra and Kansas City native Charlie Parker who was to usher in the Bebop style in the 1940s.

Flash News :

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