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Did You Know?

In North America, many comedy clubs feature the now-iconic brick wall as the backdrop for stand-up performances.Stand-up comedy is difficult to master partly because the feedback of the audience is instant and crucial for the comedian's act.

Comedians of this era often donned an ethnic persona (African, Scottish, German, Jewish, etc) and built a routine based on popular stereotypes.

The rise of the postwar comedians coincided with the rise of television and radio, and the traditional music hall circuit suffered greatly as a result.

Acts like Alan King, Danny Thomas, Don Rickles, and Jack E.Leonard flourished in these new arenas.In the 1950s and into the 1960s, led by Mort Sahl, stand-ups began developing their acts in small folk clubs (like San Francisco's hungry i or New York's Bitter End).

The heavy censorship regime of the Lord Chamberlain's Office required all comedians to submit their acts for censorship.

An adept stand-up comedian will nimbly play off the mood and tastes of any particular audience, and adjust his or her routine accordingly.