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Did You Know?

There are also societies that value improvised poetry as a genre, often as a debate or "poetic joust", where improvisators compete for public approval.

Improvisation can be thought of as an "on the spot" or "off the cuff" spontaneous activity.The skills of improvisation can apply to many different abilities or forms of communication and expression across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines.

Alan Thornhill's method for working with clay abandons the maquette, seeing it as ultimately deadening to creativity. Film: Spirit in Mass - Journey into Sculpture (2007) Without the restrictions of the armature, a clay matrix of elements allows that when recognisable forms start to emerge, they can be essentially disregarded by turning the work, allowing for infinite possibility and the chance for the unforeseen to emerge more powerfully at a later stage.Moving from adding and taking away to purely reductive working, the architectural considerations of turning the work are eased considerably but continued removal of material through the rejection of forms deemed too obvious can mean one ends up with nothing.

When done well, it often elicits gratifying emotional responses from the audience.

And the term "thinking out of the box", applies well to the results of an improv corporate workshop.Recently organizational development magazines, The Los Angeles and New York Times, and training and development groups at the Fortune 500 have all singled out Corporate Improvisation as a cutting edge training tool.Traditional epic poetry included improvisation moments where the reciter flattered the audience (especially the authorities) or to substitute a forgotten passage.

This invention cycle occurs most effectively when the practitioner has a thorough intuitive and technical understanding of the necessary skills and concerns within the improvised domain.