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• Cherry Poppin' Daddies tickets in Brooklyn, NY at The Bell House on Wednesday April 14, 2010.

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Did You Know?

With their touring schedule coming to a close, the Daddies took the opportunity to start working on their next studio album.In 2000, the Daddies returned to the studio to record their fourth album, Soul Caddy.

Concert-goers would frequently approach the Daddies' merchandise booths at shows and ask which of the band's albums contained the most swing songs.

Both men have frequently named the Wipers' 1983 album Over the Edge as their favorite record.Since their inception, Steve Perry has acted as the sole songwriter and principal composer of the Daddies music, as well as overseeing all artistic aspects of the group, from the production to the album artwork. According to Jason Moss in regard to the band's songwriting process, Perry usually creates the chord progressions and melodies for the songs on his guitar, and sometimes offers suggestions for drum beats, bass lines and specific guitar riffs, which are built upon by the other band members until arriving at a finished product. In contrast to bands such as Mr.Bungle, who created cross-genre fusions, the Daddies play each musical style separately on their albums; for instance, an album will have a swing song, a funk song, a rock song, etcetera. According to Perry, the collocation of genres creates a varied, unique listening experience, but is mostly an artistic choice, serving as a musical backdrop to his lyrics, used to personify the type of character being sung about or to emphasize the moods reflected in a song.Swing-wise, the Daddies have cited Fletcher Henderson, Jimmie Lunceford, Louis Prima, and Duke Ellington as their primary influences, though they do not play the style of straight swing that was common in either traditional swing or neo-swing, driving their rhythm section in more of a punk/rock style with hornlines on top, not wholly compositionally dissimilar to third wave ska.

In September 2007, Perry officially announced on the band's website that the Daddies were planning on recording a new studio album.Their sixth album, Susquehanna, was quietly released via download on the band's website in February 2008, receiving a CD release through Space Age Bachelor Pad the following June, though both were available only through the band's website and at concerts.

In interviews they singled out neo-swing's primarily nostalgia-heavy slant, calling most bands' retro-revisionist attitudes and sound an artistic straitjacket. Additionally, they criticized the media's treatment of the revival, claiming that the labels and press failed to recognize the major neo-swing bands as individual entities, instead lumping them all together as if "all swing bands sound the same". The Daddies also found difficulty in separating themselves from their newly-acquired "swing band" image, though they claimed to have often felt pressured to maintain it due to audience expectations, sometimes even to the point of encountering audience hostility at their live shows when they would deviate from playing swing material.By the end of the century, the popularity of the swing revival had started to decline; as such, the Daddies' mainstream presence, along with that of the majority of swing revival artists, began to fizzle out as Zoot Suit Riot slowly slid off the charts.

A halfway point between their punk rock roots and the more accessible recordings to follow, Rapid City Muscle Car was an attempt by the band to create an experimental concept album, in that each track was the direct musical opposite of the last yet all tied together lyrically.During the mid-90s the Daddies became a prominent independent touring act; 1996 alone saw the band embark on six cross-country tours. That year also saw the release of the Daddies' third self-produced album, Kids on the Street.